Category: To Do List

January To Do List

Jan 3, 2020 In: To Do List Tags: BAMPFA, Eleanor Harwood Gallery, FOG Design + Art Fair, Fort Mason Center for Arts and Culture, Fraenkel Gallery, Headlands Center for the Arts, Keith Secola, Kira Dominguez Hultgren, Local Language, Miriam Simun, Rashaad Newsome, Ron Nagle, SFAI, Sophie Calle, Untitled By: Kerri Hurtado, Curator

Keith Secola, “The Uncompahgre”, 2019. Image courtesy of Local Language.

January 3 to February 29– Keith Secola: The Uncompahgre at Local Language: The Uncompahgre people are a tribal band/community from the Ute Indian Tribe that reside on the Uintah & Ouray Indian Reservation in Northeastern Utah. Utes lived a life of movement and oneness with nature, summering in the high mountains and spending winters in the low valleys. Due to ongoing wars and westward expansion, the Uncompahgre were relocated by military force to the Utah Indian Reservation hundreds of miles from their original homeland. During these times the people did what they could to survive and hold on to their cultural and spiritual practices. The photographic archives in this exhibition are of the Uncompahgre people after their forced removal to the Utah Indian Reservation. They were collected by the artist from archival albums from his grandparents. Keith Secola’s recent body of work involves the reinsertion of the American Indian image onto collaged and deconstructed book covers of American colonial history, creating a new surface for printing and painting. The use of archival photography on the textbooks allows Secola to create a layer between the past and present and to form new narratives that question Native identity through the fusion of image, text, and memory. Local Language is located at 477 25th Street, Oakland.

Rashaad Newsome, “King of Arms Ballroom”, 2019, installation view. Image courtesy of SFAI.

January 10 to February 23– Rashaad Newsome: To Be Real at Fort Mason Center for Arts & Culture: The exhibition presents a series of neo-Cubist portraits in expressive frames, threading an ornamental glamour through figures reflecting on human agency, Blackness, and the radical futurity of emerging identities. Paired with new sculpture, A.I. and installation elements, To Be Real invites the viewer to imagine a richer and mutually shared way of being in the world. The exhibition draws from ballroom divas, haute couture, and African art. The collages present extraordinary subjects, each aware of their pose. Together, the collaged and sculptural figures draw from Queer, Black, and Ballroom life itself, pointing to the future utopias that these lives represent and inspire. Newsome invites his viewers to converse with him as we seek to understand the meaning of being human against a history that keeps certain peoples outside the accepted realm of humanity. Fort Mason Center for Arts & Culture is located at 2 Marina Blvd.

Kira Dominguez Hultgren, “Arose”, 2019. Image courtesy of Eleanor Harwood Gallery.

January 11 to February 29– Kira Dominguez Hultgren: Intrusions at Eleanor Harwood Gallery: Dominguez Hultgren weaves together histories of tangled intrusions nourished on the global confusion of the word Indian. Beginning with two Navajo weavings from around 1876 and two Punjabi head-coverings embroidered by her great-aunt Dalip Kaur around 1923, Dominguez Hultgren mines with material hyperbole the historical narratives that surround these two “Indian” archives. What does it mean to form an identity or nation in the negative, in distinction to what one is not? This is the question which motivates Dominguez Hultgren to weave through photographic documentation of the two Navajo weavings in her work. For Dominguez Hultgren, textiles are an archive of material metaphor and physical protest from which she can reenact and destabilize historical narratives. Eleanor Harwood Gallery is located at 1275 Minnesota Street, Suite 206 in San Francisco.

Opening Reception: Saturday, January 11, 6 – 8pm

Ron Nagle, “Handsome Drifter”, 2015. Image courtesy of BAMPFA.

January 15 to June 14– Ron Nagle: Handsome Drifter at Berkeley Art Museum & Pacific Film Archive (BAMPFA): Ron Nagle has made stunning, entirely unique small sculptures since the 1960s, producing a body of work that is as original as it is mischievous. He began his career making funky, rough cups and vessels out of earthenware, and by the early 1960s was using low-fire, slip casting techniques, making smoother surfaces and bringing into play the luminous colors that would become his calling card. In his recent works, Nagle continues to diverge from traditional ceramic processes, introducing synthetic materials such as polyurethane and resin. Made with an overarching sense of playfulness and linguistic humor, a bodily and architectural sensibility, and a keen attention to color, these finely tuned, pitch-perfect sculptures condense sensory wonder into perfect packages of experience and feeling. Their miniature scale makes Nagle’s odd, elegant, sensual, and sometimes abject objects endlessly surprising models for imagination. BAMPFA is located at 2155 Center Street, Berkeley.

View from past event. Image courtesy of Drew Altizer.

January 16 to 19– FOG Design + Art Fair at Fort Mason Center: Celebrating today’s most significant creatives and leading contributors to the worlds of design and visual arts, the fair assembles 48 leading international galleries and prominent 20th-century and contemporary design dealers. FOG has become a focal point for the design and arts communities on the West Coast and further afield. The fair is synonymous with a uniquely pioneering spirit due to its bold hybrid approach and intimate presentation of art and design, dynamic programming on-site and its community-led mission to champion art and design in its historic Fort Mason setting. Building on FOG’s longstanding commitment to cultural institutions, the fair’s Preview Gala is honored to continue its crucial support of SFMOMA’s exhibitions and education programs. FOG represents a key moment in which the local and global community congregate to engage in critical dialogue, artistic exchanges, and a shared passion for creative pursuits. Fort Mason Center is located at 2 Marina Blvd in San Francisco.

Buy tickets here.

View from past event. Image courtesy of Casey Kelbaugh.

January 17 to 19– UNTITLED, ART Fair at Pier 35: UNTITLED, ART is an international, curated art fair founded in 2012 that focuses on curatorial balance and integrity across all disciplines of contemporary art. The fair innovates the standard fair model by selecting a curatorial team to identify and curate a selection of galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally designed venue. Pier 35 is located at 1454 The Embarcadero in San Francisco.

Buy tickets here.

Sophie Calle, “North Pole”, 2018. Image courtesy of Fraenkel Gallery.

January 23 to March 21– Sophie Calle: Because at Fraenkel Gallery: The exhibition is part of Calle’s ongoing exploration of the relationship between narrative, memory, and photography, and mixes humor and melancholy with her particular eye for irony. Because feature new works by Calle on view for the first time in the U.S. In each piece, a felt curtain embroidered with Calle’s writing conceals a hidden photograph behind it. In presenting viewers with the text before the picture, Calle upends the usual order in which images are read, creating a poetic surprise or puzzle. Fraenkel Gallery is located at 49 Geary Street, 4th Floor.

Opening Reception: Saturday, January 25, 1 – 4pm

Miriam Simun, still from “Your Urge to Breathe is a Lie”, 2019. Image courtesy of Headlands Center for the Arts.

January 26 to March 8– Tomorrow Is Already Here at Headlands Center for the Arts: The exhibition unveils work related to a new programming thread at Headlands called Thematic Residencies. Thematic Residencies begin with a prompt and gather artists and non-artists such as scientists, policy makers, and community advocates to ideate and collaborate on how the arts can help to produce innovative, culturally relevant research and serve communities on the ground. Tomorrow Is Already Here draws from the practices of participants in Headlands’ 2016 and 2018. The work focuses on climate change, and includes new works, collaborations, commissions, and writing emerging from the research and encounters during the residencies. Headlands Center for the Arts is located at 944 Simmonds Road, Sausalito.

Opening Reception: Sunday, January 26, 2 – 5pm

December To Do List

Nov 25, 2019 In: To Do List Tags: Alice Shaw, Alicia McCarthy, Bob Hudson, Christina Seely, Cornelia Schulz, Cynthia Ona Innis, Don Ed Hardy, Donzell Lewis, Ehren Tool, EUQINOM Gallery, Gallery 16, Hosfelt Gallery, Jim Campbell, Jim Melchert, KALA Art Institute, Masako Miki, Mike Henderson, Miriam Bohm, NIAD, Ratio 3, Rebeca Bollinger, Root Division, Ruby Neri, Sahar Khoury, Southern Exposure, Wanxin Zhang By: Kerri Hurtado, Curator

Miriam Böhm, “Nothing”, 2019. Image courtesy of the artist and Ratio 3.

Ongoing to December 20– Miriam Böhm: While, Weil at Ratio 3: Through a combination of studio-based photography and natural motifs, Böhm brings her meticulous and perplexing image-making to the tradition of landscape photography. By repeatedly photographing a physical arrangement of paper or other simple materials and incorporating sections of those photographs into the original arrangement, Böhm constructs a still life that features itself as a subject. By combining images of trees, lakes, and mountains in her camera’s frame, Böhm’s photographs suggest familiar vistas without resolving into traditional landscapes. Each image maintains a relationship to studio-arranged still life photography, while expanding on Böhm’s distinctively sculptural photographic practice. The works are varied in their presentation and complex in their conception, as Böhm’s practice becomes at once more expansive and distinct. Ratio 3 is located at 2831A Mission Street in San Francisco.

View from past art sale event. Image courtesy of Kala Art Institute.

December 5 to 8– Holiday Pop-Up Sale at Kala Art Institute: Kala’s highly anticipated holiday sale features mark-downs of up to 50% on framed and unframed works on paper and printed goods by Kala resident artists. Proceeds support the artists and non-profit programming. Kala Art Institute is located at 2990 San Pablo Avenue in Berkeley.

Preview and Opening Reception: Thursday, December 5, 6-8:30pm

View of Southern Exposure’s exterior. Image courtesy of Museeum.

December 5 to 7, 12-8pm– Holiday Art Sale at Southern Exposure: Southern Exposure will bring out treasures from their archives and offer them for in-person purchases at affordable prices for this 3 day art sale. Hidden gems from past Monster Drawing Rallies, beautiful catalogues and publications, exhibition posters, rare prints, and more will all be for sale. 100% of the proceeds from the holiday sale go to support Southern Exposures free programming. Southern Exposure is located at 3030 20th Street in San Francisco.

Installation view. Image courtesy of Gallery 16.

Ongoing to January 17– Shaw & Co at Gallery 16: The exhibition honors the legacy and influence of the Shaw Family, whose influence and contributions to the Bay Area’s art and music scene have been on display for over four decades. On view is a collection of work by members of the Shaw Family as well as a collection of work by many Bay Area artists for whom the Shaws have been friends with, inspired by or inspirations for including Rebeca Bollinger, Mike Henderson, Don Ed Hardy, Bob Hudson, Sahar Khoury, Alicia McCarthy, Jim Melchert, Ruby Neri, Cornelia Schulz, Ehren Tool, and Wanxin Zhang. Gallery 16 is located at 501 Third Street in San Francisco.

(left) Masako Miki, (right) Donzell Lewis (detail). Images courtesy of Cynthia Ona Innis.

December 7 to 26– Fiberful, Tippy Toes: Terry Hoff, and Right Here, Right Now, Richmond at NIAD Art Center: Three exhibitions are opening at the NIAD Art Center’s galleries. Fiberful, organized by artist Cynthia Ona Innis, showcases the work of artists who explore themes of identity, the human condition and their own personal narratives using traditional and non-traditional methods of fiber-based work.

Tippy Toes: Terry Hoff exhibits Hoff’s unique canvases with abstracted forms that often include discarded tape, fabric and plaster, resembling large rocks. Drawing from his suburban upbringing, the works frequently mirror the textures of suburban track home ceiling textures. Combining a nostalgic and psychedelic aesthetic elevates Hoff’s notion of a visual language that lies somewhere in between past, present, and future.

Right Here, Right Now, Richmond is a juried exhibition that looks at the excellent and risk-taking new work being made in Richmond. NIAD Art Center is located at 551 23rd Street in Richmond.

Opening Receptions: Saturday, December 14, 1-4pm.

Jim Campbell, “Southern California”, 2019. Image courtesy of Hosfelt Gallery.

December 14 to January 25– Jim Campbell: Closer to Nothing at Hosfelt Gallery: With light as his primary medium, Jim Campbell probes the liminal boundaries of perception. His newest body of work exploits extreme data deficiency as a means of engaging primal pathways of comprehension. Each piece, effectively incomplete without viewer participation, resolves itself only through the brain’s capacity to extrapolate meaning from a paucity of information. The exhibition will include work that incorporates imagery from Eadweard Muybridge’s groundbreaking human and animal motion studies from the late 1800s. Muybridge devised a method of sequential still photographs to capture aspects of bodily motion undetectable by the human eye. Campbell inverts this concept to test the limits of discernment by breaking down Muybridge’s images into minimal data with continual variations in magnification. Navigating the threshold between the analog and the digital, his work activates an experience of neurological alchemy whereby data transforms into knowledge. Hosfelt Gallery is located at 260 Utah Street in San Francisco.

Artist Reception: Saturday, December 14, 4-6pm

View from last years event. Image courtesy of Root Division

December 14 to 18– Misfit Maker & RD Makes: Inaugural Studio Artist Exhibition at Root Division: This exhibition and event will consist of live art making and local vendors. The exhibition showcases the range of processes and works being produced at Root Division. Over 30 Bay Area artists will be making small sculptures and other giftables on site in Root Division’s gallery. These objects range in spectrum with distinct designs and innovative approaches to object-making. Each artist made item will be available for sale as they are completed. Root Division is located at 1131 Mission Street in San Francisco.

Reception: Saturday, December 14, 4-8pm

Christina Seely, “Quantitare – glacies (Exponential Ice, Gully Breen / Svalbard Territory )”, 2019. Image courtesy of the artist and EUQINOM Gallery.

Ongoing to January 11– Christina Seely: Perdita, In Finding(s) at EUQINOM Gallery: In this current complex moment of dramatic; political, cultural, and environmental flux, Seely’s recent work faces into the inherent tentativeness brought on by exponential change. Using the word perdita, Latin for “lost”, and drawing from the content of an archive of materials, or “findings” accumulated over the last ten years of expeditionary travels to the arctic and tropics, the project functions as a set of impossible riddles. While this invitation points to the fundamental human proclivity of our need to understand, the work as a set of visual puzzles that are designed to fail, has the aim of finding a home in ongoing disorientation. The photograph functions in the project as a foundational prompt, referencing the “real world”. Imagery is used to build as a set of semiotics that formulate a kind of language of the natural world. While an uneasiness may form in the cumulative experience of the work, satisfaction and discovery lie in a realization of what is familiar along the way. In evoking a search with inherent failure woven in, the project also suggest a need for humility by pointing to the impossibility of truly comprehending the fullness of nature or our place within the complexity of the larger planetary whole. EUQINOM Gallery is located at 1295 Alabama Street in San Francisco.

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