On this visit to Chicago we looked beyond the amazing public art in Millennium Park to visit gallery exhibits, a corporate collection and the international contemporary art fair EXPO Chicago on the Navy Pier.

Mickalene Thomas:  I was Born to do Great Things at Kavi Gupta Gallery

Gallery installation view. Photo courtesy of Kavigupta.com

I was born to do great things are the quoted words of Sandra Bush, Mickalene Thomas’s late mother, a statement that speaks for both the dynamic life that she lived as well as her influence and inspiration on Thomas’s artistic practice as her longtime muse. Bush has been prominent as a subject in Thomas’s works over the past 14 years, inspiring her examinations of identity and style through her magnetic personality and undeniable presence. This presentation of new work explores the personal story of the woman behind the inspiration. This is a story in celebration of womanhood, motherhood, and the power of art as a totem for personal memory, a story in celebration of Sandra. ~ Kavi Gupta Gallery

Gallery installation view. Photo courtesy of Kavigupta.com

Mickalene Thomas ‘I was Born to do Great Things’ acrylic on canvas

Mickalene Thomas, ‘Untitled’, bronze

Samantha Bittman: Razzle Dazzle at Andrew Rafacz Gallery.  Chicago artist Samantha Bittman created loom-woven textiles with thick acrylic painted surfaces, that are installed on site-specific custom wallpaper. Referencing the dazzle camouflage technique used on World War I naval ships, the exhibition incorporates bold patterns to confuse, not conceal, throwing texture to the viewer as a distraction from the underlying patterns in the woven surface below.

Samantha Bittman, ‘Razzle Dazzle’ Installation view

Samantha Bittman ‘Untitled’, 2014 acrylic on handwoven textiles

Carol Jackson:  High Plains Drifter at Threewalls Gallery  In this exhibition Jackson builds a car wreck emerging from the wall, mixed media prints, and archival prints from webcam stills of California Highways all inspired by John Milton’s epic poem, Paradise Lost.  The artworks explore America’s fascination, romance and dependence on the automobile.

Carol Jackson ‘High Plains Drifter’ papier-mache installation. Photo courtesy www.three-walls.org

Carol Jackson ‘High Plains Drifter’ installation at Threewalls Gallery

Carol Jackson, mixed media archival prints on Caltrans webcam stills. Photo courtesy of www.three-walls.org

Hank Willis Thomas:  Bench Marks presented by Monique Meloche Gallery’s Off the Wall project  Bench Marks is installed onto various public bus benches throughout Chicago’s Wicker Park Bucktown neighborhood. The installation includes a selection of images from three different bodies of the artist’s work, namely: Branded, Fair Warning and Strange Fruit.

Hank Willis Thomas ‘The Cotton Bowl’ 2011, installed at Ashland & Le Moyne.  Photo: Jim Prinz, courtesy of the artist and Monique Meloche Gallery

Hank Willis Thomas ‘Black Power’ 2008, installed at Ashland & Blackhawk.  Photo: Jim Prinz, courtesy of the artist and Monique Meloche Gallery

EXPO Chicago Art Fair

Adam Helms, ‘Mnemosyne (Auto-Universum 1965-1978)’, 2012-2013, silkscreen felt on panel at Marianne Boesky Gallery

Scott Reeder, ‘Landlord Painting’, 2014, acrylic on canvas at Kavi Gupta Gallery

Jenny Kendler ‘Tell it to the Birds’ installation at the Natural Resources Defense Council booth.

Chicago artist Jenny Kendler has been chosen to be the founding participant in the Natural Resources Defense Council’s Artist-in-Residence program. Kendler’s works explore the intersections between human culture, perceptions of the natural world, and declining biodiversity.  For the NRDC EXPO Chicago booth, exhibit walls are covered in lichen-camouflage wallpaper and adorned with delicate sculptures of birds, which Kendler creates by altering and ‘rewilding’ vintage porcelain figurines. These intimate, yet uncanny sculptural works stand in for real-life bird species, threatened or endangered by environmental hazards like habitat loss, energy projects and climate change.

Jenny Kendler ‘Camoflage V’ 2013, vintage porcelain bird, styrofoam, glue, paperclay, acrylic, gold leaf.  Photo courtesy of www.jennykendler.com

Gideon Rubin ‘Cardboards’, 2012-2014 installation of oil on linen and oil on cardboard paintings at Galerie Karsten Greve

Derrick Adams, ‘A Proper landing’, 2014 mixed media collage on paper at Rhona Hoffman Gallery

Thu Van Tran ‘Eruption’  plaster and wood at Meessen De Clercq

José Maria Sicilia, ‘El Instante’, 2014, etching ink on paper mounted to aluminum at Meessen De Clercq

Ana Cardoso, ‘Quarters; Fear of Commitment’, 2014 acrylic on linen and cotton at Longhouse Projects

Ana Cardoso, ‘Quarters; Casual Dating’, 2014, acrylic on linen and cotton at Longhouse Projects

Whitney Bedford, ‘Ships’, 2014, ink and oil on canvas on panel at Carrie Secrist Gallery

Jackie Saccoccio ‘Profile (Roy II Convex), 2014, oil and mica on linen at Eleven Rivington Gallery

Jackie Saccoccio ‘Portrait (Deception)’ and ‘Tequila Sunrise’, 2014, oil and mica on linen at Eleven Rivington Gallery

Firelei Baez ‘Frenellos (aka new world order) 2014 acrylic and gouache on yupo paper at Richard Heller Gallery

Michelle Grabner ‘Untitled’ 2014, archival inkjet print at Anne Mosseri-Marlio Galerie

Installation view of Michelle Grabner “Untitled’ 2014, archival ink-jet prints at Anne Mosseri-Marlio Galerie

Private Collection Visit

We try to take advantage of VIP programming at the art fairs we attend and visit private collections.  Collectors have such unique ways of engaging and living with art.  A visit to Richard Sandor’s collection at his Environmental Financial Products offices was a fascinating experience.  Mr. Sandor has been collecting photography for so long that his collection is broad and deep.  Sandor is known as the ‘father of carbon trading’ so you might expect that his collection has an environmental focus.  Of interest to us was the emerging work he has been buying in China for the last 10 years.  Sandor says the first thing he does when he gets off the plane is to go out and look at photography because it connects him to the culture in a more meaningful way than his meetings around economics and trade.

Mr. Sandor talks about one the emerging Chinese artists in his collection.

Xiang Xiaoli ‘Changing Models, No. 6’ color photograph